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About Audiojack:
It’s a familiar story: A chance meeting over 10 years ago in Ibiza (where else?) forms the basis of the duo now known as Audiojack, a Leeds-based DJ and production outfit made up of Richard Burkinshaw and James Rial. Over the last decade the twosome’s initial link-up on the White Island has evolved to become a formidable outfit; rocking dancefloors from Brazil to Australia, unleashing a consistently high level of their own music and managing a label, Gruuv, that has maintained a sterling reputation for nurturing the very best in talent, new and old.
Despite a large degree of success from the beginning (their first single ‘Robot’ thrust them into the limelight back in 2005), Jamie and Rich have maintained a degree of control over their careers that is rare to find in the modern-day, looking inward and reinventing themselves to keep things constantly fresh. Though they are focused on the dancefloor, their output is not limited to one particular style – you can always expect quality, but they straddle a variety of styles from techno through to the more melodic end of house music. “We’ve been DJing for over 30 years between the pair of us and we always look at things from the perspective of the dance floor, therefore our music is always focused on that,” they say.
This focus has seen them notch up one successful release after another, from their expertly reimagined mix of Jaydee’s classic ‘Plastic Dreams’ to the huge ‘No Equal Sides’ EP, released via their long-standing relationship with seminal label 2020Vision. It was the label’s best-selling EP of the last 12 months and the pair themselves were the 6th most charted artists of 2012 by Resident Advisor’s community. As well as a constant flow of original material, Jamie and Rich have produced remixes for labels such as BPitch Control, Get Physical, Cityfox, Diynamic, Exploited, Gomma, Tsuba and Leftroom (where it all started).
Meanwhile, thanks to their fun-filled, energetic DJ sets, this past year Audiojack have been enlisted to rock dancefloors at some of the world’s best-known and most respected clubs, including: Kater Holzig, Ritter Butzke & Watergate (Berlin), Sankeys (Ibiza), Rex Club (Paris), Hive (Zurich), Harry Klein (Munich), Electric Pickle (Miami), Ego (Hamburg) as well as past appearances at venues such as fabric in London, Space in Ibiza, Zouk in Singapore and D-Edge in Brazil. Add to this their list of appearances at smaller boutique festivals (which they prefer to huge corporate events), including: Found (London), Jack’s (Kent), Straf_werk (Amsterdam), Into the Woods Festival (Amersfoort) and the Rainbow Serpent Festival (Melbourne).
About Waifs & Stray’s:
Waifs & Strays first appeared among the new wave of house-leaning producers to emerge from Bristol’s ever fertile music scene back in 2010 alongside friends like Eats Everything and Julio Bashmore. Their output spliced Amos Nelson’s’ love for traditional Chicago grooves with Rich Beanland’s bass-orientated background, together they brought a unique take on house music which captured the imagination of party people around the world, from their hometown all the way to the USA and across Europe.
Waifs & Strays announced their arrival with ‘Yeah, Yeah’ on Leftroom, which was named Essential New Tune by Pete Tong in 2011 and went on to become one of the year’s biggest hits. The follow up release came via Jamie Jones’ seminal label Hot Creations, the sultry ‘Body Shiver’ was a perfect fit for Jones’ bass-heavy, groove-laden sets, and was included on his Fabric 59 mix CD.
As the song says “house is a feeling” and Waifs & Strays have always maintained a strong variety in their sets and productions from the piano fuelled ‘Love On Another’ to the darker, harder sound of ‘Lost In The Party’, but always with pure house music at its heart. They cultivated a timeless sound, staying relevant and popular by sticking to what they believe in and going on feeling, rather than following trends. As a result they secured appearances at some of the world’s best known and most influential clubs and festivals, including Fabric, DC10, Glastonbury and several dusty performances at Burning Man.
Fast forward to 2014 and Amos is now operating as a solo artist under the Waifs & Strays monicker, with Rich taking a sabbatical due to health issues. Going from a two-man working relationship to riding solo can be a tough break for some, but for Amos it’s a challenge that he’s relishing. Now working alone, he’s pushing the project forward with a renewed zeal, dedicating his time and energy to bolstering his production skills with a clear vision of where the project is heading.
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